The first exhibition in Philadelphia of Seattle-based visual artist Barbara Earl Thomas presents works that address racial inequity in portraiture and depict Black subjects in moments of joy and creativity across class lines. The show includes cut-paper portraits and glass vessels along with The Transformation Room, an immersive installation created from Tyvek and light. Thomas collaborates with cellist Seth Parker Woods on a new sound piece comprising a poem by Thomas and composition by Woods. Supporting programs include a performance of Parker’s Difficult Grace with dancer Roderick George, lectures with multidisciplinary artist Marisa Williamson and art historian Dr. Gwendolyn DuBois Shaw, and a community-organized celebration.
The total grant amount represents project funding plus an additional 20% in unrestricted general operating support.