A Barbara Kasten-Inspired Disruption
2014 Pew Fellow Brent Wahl reflects on how Barbara Kasten's Construct works helped him "make some sense of the forces of the postmodern climate of the 1980s."
How can history and traditions be reimagined for today’s audiences?
2014 Pew Fellow Brent Wahl reflects on how Barbara Kasten's Construct works helped him "make some sense of the forces of the postmodern climate of the 1980s."
Inspired by the Center-funded Paul Evans retrospective at the James A. Michener Art Museum, we ask Williams and Tsien to reflect on the art-furniture designer's work and its relationship to architecture.
This essay is a revision of a paper delivered at the University of Texas as part of "An Uncanny Beauty: A Celebration of Deborah Hay Performance and Symposium," held April 7–8, 2010.
This paper by Indonesian dance scholar Sal Murgiyanto was originally presented at "Traces of Tradition," a panel discussion held at the International Dance Conference, August 1-4, 2004.
David Vaughan, who served as the archivist of the Cunningham Dance Foundation, gave this address to the Dance Critics Association at Dance New Amsterdam in June 2007.
Ballet répétiteurs such as Parkinson work one-on-one with dance artists to articulate and find the essence of a character or particular portrayal that becomes distinctive to their physicality.
Dance ethnologist and anthropologist Toni Shapiro-Phim traces the legacy of Cambodian dancer and teacher Pen Sokhuon against a backdrop of historical and political changes in Cambodia.