Fellows Friday: Q&A with J. Louise Makary
2013 Pew Fellow J. Louise Makary's works on film combine dance, still photography, and experimental techniques, introducing unexpected, challenging elements into traditional narrative structure.
What drives cultural practitioners to experiment, discover, and create?
2013 Pew Fellow J. Louise Makary's works on film combine dance, still photography, and experimental techniques, introducing unexpected, challenging elements into traditional narrative structure.
We spoke to 2013 Pew Fellow, poet, and ampersand lover Jenn McCreary, author of the new collection & now my feet are maps, recently published by Dusie Press, and co-founder and editor of Philadelphia’s ixnay press.
In the Fabric Workshop and Museum's Sarah Sze exhibition catalog, the late art critic Arthur C. Danto considered Sze's past and future art works.
Edmunds, executive and artistic director of the Center for the Art of Performance at UCLA, is The Pew Center for Arts & Heritage's first visiting scholar. Paula Marincola, the Center's executive director, spoke with her about the opportunity.
One the first curators to radically re-think the contemporary art exhibition context, Siegelaub spoke with Gleadowe, a British art historian, prior to his passing in 2013 for a forthcoming book from the Center on structural innovation in exhibition-making.
In 2011, the award-winning writer, director, and actor became the Center's first visiting artist. His residency functioned as a creative exchange between a working artist and the Center's staff, constituents, and communities.
The Penn Museum embarked on the re-installation of a longstanding display of African objects. The result was a 12-month prototyping exhibition and series of events, designed to elicit visitor feedback.
Paul Schimmel responds to the question: "Do you think exhibition-making bears any resemblance to theater directing?"
Two seminal figures of the New York dance world—Bill T. Jones and Susan Rethorst—sat down to talk about their distinct practices and the evolution of the field.
Andrea Clearfield—a working musician, composer, curator, and member of the group—discusses how making and listening to music is changing.