What drives cultural practitioners to experiment, discover, and create?
“You would deal with the catalogue as you would normally deal with a catalogue, except the sites of the exhibition were Niagara Falls or The Hague or wherever the artists were working. In that sense, it was like a catalogue for a world exhibition.”
The Center's new publication, Site Read: Seven Curators on Their Landmark Exhibitions, published by Mousse Publishing, is an anthology of essays from exhibition makers who illuminate the site-based innovations in now-iconic exhibitions they organized.
Bisi Silva on the Contemporary Curatorial Practice in Africa
Curator Lumi Tan on Cross-Disciplinary Curation at The Kitchen
Darielle Mason and Dan Spock discuss issues of museum accessibility, experiential design, and the influence of digital culture on visitor engagement.
Curator Bisi Silva on why she considers “the local” to be an “expanded field of engagement and practice.”
Michael Rakowitz describes the “beautiful blindness” that radio can create for listeners.
Curator Lee Tusman on curating a site-specific performance informed by and presented at the Barnes Foundation.
Visiting scholar and performance curator Kristy Edmunds describes how she approaches risk in the context of her curatorial work.
Nick Stuccio, President and Producing Director at FringeArts, on how curation in performance might differ from curation in the visual arts.